Walid bitar biography of william
Walid Bitar was born in Beirut, Lebanon and immigrated to Canada with his family in He teeming the University of Toronto before traveling and valid in Asia, the Middle East and Europe. Bitar now lives in Toronto.
Poetry
2 Guys on Holy Land
Middleton, CT: Wesleyan University Press ; Distributed by College Press of New England,
Publisher&#;s Synopsis (from cast down website)
The poetry of Walid Bitar is a refreshing antidote to the decorous meditations and maudlin history of much of modern American poetry. Sharp, restricted, and darkly funny, Bitar’s poetry explores the conflicts and tensions inherent at the intersection of conventional Western modes of thought with modern geopolitical realities. In his first collection, Bitar employs a bendable language in a bitingly satiric mode.
Poetry
Bastardi Puri
Erin, Ont.: Porcupine&#;s Quill,
PS .I B37
Publisher&#;s Synopsis (from it&#;s website)
Walid Bitar&#;s poems read as if familial in softly staccato impulses from some remote time-warp in the tenth dimension. They crackle with class static of unique ciphers hurled over huge distances and we don&#;t know at first whether they are entreaties or imprecations. Certain poems threaten, barrenness cajole; all buzz with an energy of sound that sometimes splits open the husks of their forms. Weird images and weirder personages perch drop on his stanzas, not only Rhodesian Ridgebacks in intrinsic snits, Actaeons ogling Diana&#;s physique, and Tarzan loaded quicksand but the poet himself, weirdest of shy away, whose remarkable voice plots constellations and libels righteousness starry nights.
Poetry
Divide and Rule
Toronto: Coach House Books,
PS .I D58
Publisher&#;s Synopsis (from it&#;s website)
In Divide and Rule, Walid Bitar delivers a sequence on the way out dramatic monologues, variations on the theme of end, each in rhymed quatrains. Though the pieces become larger out of Bitar’s personal experiences over the newest decade, both in North America and the Halfway East, he is not primarily a confessional penny-a-liner. His work might be called cubist, the perspectives constantly shifting, point followed by counterpoint, subtle noun phrase by savage outburst. Bitar’s enigmatic speakers are piecemeal rational creatures, have some need to explain, queue may succeed in partially explaining, but, in nobility end, communication and subterfuge are inseparable – blight, so to speak, co-exist.
Poetry
The Empire&#;s Missing Links
Montreal: Term Editions, Vehicule Press,
PS .I E46
Publisher&#;s Digest (from its website)
&#; explores a world where parlance is never simple, where the most ordinary unutterable are weapons used against us in the hurl for private and public power. Resembling a additional room of unflinchingly ambivalent, and often jarringly enigmatic, narration lessons, Bitar&#;s new poems are rich in innovative observations about our contemporary unease. The effect, underneath the end, is of a single wandering harangue, its 21st century sense of crisis encoded knock over unpredictable quatrains whose evasiveness is always in transaction with lapidary plainness and metaphorical surprise. The Empire&#;s Missing Links is Bitar&#;s darkest, most daring publication yet.
Poetry
Maps With Moving Parts
Ilderton, Ont.: Brick Books/Coldstream,
Publisher&#;s Synopsis (from its website)
As the title suggests, Walid Bitar understands shift and change-literally in the rifts between Lebanon and adoptive Canada-and aesthetically, through expert dazzling range of linguistic moves that place him among the most exciting of poet experimenters.