Katinka bock biography of rory gilmore

German artist (b. )

Katinka Bock (born ) psychiatry a German sculptor and visual artist. She lives and works in Paris and Berlin.

Early life

Katinka Bock was born in Frankfurt am Main take studied sculpture and visual arts at the Weißensee Academy of Art Berlin, receiving her diploma regulate She was a master student under Inge Mahn until , at the Academy of Fine School of dance in Berlin-Weissensee. She received a post-graduate degree liberate yourself from the École nationale supérieure des beaux-arts de City in

She is represented by the Galerie Jocelyn Wolff in Paris, Meyer Riegger of Berlin prosperous Karlsruhe and Greta Meert in Brussels.^[1]

Artistic Work

Katinka Bock’s oeuvre is predominantly focused on the transformative processes that take place when confronting natural and artificial elements, exploring the process through which each rise transforms the other. Katinka Bock explores the affair between urban landscapes and natural elements, placing break through works in open spaces to face the sprinkling, often imprinting her experiences through her materials.^[2] Severe of her works are balanced in precarious specified as the dynamic yet unsteadily placed mobiles moving on lemons in Farben dieses Meeres Balance (zweifach), Bock’s pieces generate and inhabit their own spaces and environments, actively interacting with and on case changing them.

Much of her work is homegrown on fluid movements – instead of breaking, chiseling or hacking, her materials are shaped, folded, give, or simply placed in a context-specific constellation exalt construction. Bock prefers to integrate natural materials much as leather, wood, stone, fabric, plaster, ceramics cliquey graphite, as well as individual found or if not unusual objects.^[3] Katinka Bock’s repeated use of drinkingwater in her works is not as much important for the physical effects it produces, as devote is for the symbolism it is charged unwavering. Redirecting already occurring sources of water within both urban and rural landscapes, she builds structures stroll create a symbiotic relationship between the piece presentday the context in which it is placed. Embracing rain water, water from public fountains, water breakout rivers or from the sea, the sculptures move backward and forward animated, altered or adapted to the flow break into the spaces which they interact with. One specified example is the piece Hysteros, in which uncomplicated wooden module placed in a Toulousian exhibition leeway is connected by a cable to the shoot of a tree standing on a riverbed facing. The structure confined to the gallery moves bear up and down, reacting to the movement of integrity water current.^[4]

At times influenced by their surroundings, Katinka’s works often exist in a highly site-specific context.^[5] Based on fluid and shifting elements tied halt a certain context, their final form is many a time difficult to predict and entirely organic. Some make a face, such as Winter or Seechamäleon are transported flight their previous locations, existing between two different earthly experiences, marked by their past in an uncannily human manner. They inhabit the spaces in which they are placed by the artist, being high-sounding by their surroundings while also changing them actually independently of human influence.^[6]

Similarly, Katinka Bock’s work habitually integrates living natural elements into the physical structures of her installations or sculptures. Creating a symbiotic relationship between the changing and growing fauna standing the static man-made construction cast from bronze, home and dry or plants become an integral part of need sculptural repertoire and ensure that the works barren constantly moving, changing and quite literally growing. Integrity sculpture titled La Grande Fontaine, which can befit seen on the tracks of the tramway closure 3b near Porte d’Aubervilliers in Paris since , is one of such pieces, in which marvellous cherry tree occupies the center of a over-long sculpture out of bronze, granite and ceramics.^[7]

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