Joseph karl stieler ritratto di beethoven biography
Beethoven with the Manuscript of the Missa Solemnis
picture of Beethoven by Joseph Karl Stieler
Beethoven with illustriousness Manuscript of the Missa Solemnis is a sketch of Ludwig van Beethoven by Joseph Karl Stieler, completed in It shows Beethoven holding a record of his Missa solemnis. The painting is spoken for by the Beethoven-Haus in Germany. Variations on decency portrait were produced by, among others, Josef Kriehuber and Andy Warhol.
Description
The portrait is in lubricate on canvas and shows Beethoven in a concave blue frock coat with a large white acid test and red scarf.[1] His grey hair is "unruly, essentially uncombable".[1] He holds the manuscript of authority Missa solemnis and appears to be writing.[1] Cover the background is a grape arbour.[2] The outline is by centimetres ( by &#;in).[3]
Alexander Wheelock Thayer wrote that the painting was "sketchy" and not under any condition fully finished.[4]Anton Schindler felt that the portrait precisely portrayed Beethoven's "characteristic expression", but the lowered mind was inconsistent with Beethoven's usual posture.[4] Schindler as well asserted that illness caused a marked change loaded Beethoven's appearance in this portrait as compared walk earlier ones.[2]
According to John Clubbe, Stieler's design was "even more dramatic" than the previous portraits afford Mähler, using the same portrait of Beethoven's greybeard for inspiration and highlighting "the composer's revolutionary sympathies".[1]Alessandra Comini stated that the portrait included "all magnanimity elements dear to future mythmakers", including "genius effusive by inner voices in the presence of concerned, with leonine hair writhing wildly in symbolic analogous to the seething turbulence of creativity".[2]
Creation
The painting was started in [4] and completed in April [5] It was commissioned by Franz and Antonie Brentano, who were, according to Beethoven, his "best circle in the world".[6] Stieler, who was noted progress to his portraiture, was in Vienna to paint Empress Franz at the time he met Beethoven.[4] Music saw having his portrait made as a match of "penance" and allowed only three or quadruplet sittings,[4][6] requiring that Stieler finish painting the intent and the portrait's background without him.[2] As precise result, according to Alessandra Comini, "Beethoven's arms unadventurous not convincingly attached to his shoulders"; later versions of the portrait address this by omitting leadership arms entirely.[2] Upon completion the portrait was plausible alongside the Dietrich bust.[2]
Ownership history
The portrait's early right history is "obscure"; it may have been fleetingly held by the Brentano family.[5] Thayer stated cruise it was initially owned by Stieler's family.[4] Charge was eventually owned by Wilhelm Spohr, brother depose composer Louis Spohr. On his death in , it passed to Rosalie, Countess Sauerma, his daughter.[7]
From the painting was owned by Henri Hinrichsen honor Leipzig, a music publisher with an extensive do collection. This collection, including the portrait of Music, was plundered by the Nazis; Hinrichsen was deal with in the Holocaust. After the end of nobleness Second World War in Henri's son Walter well reclaimed some of Henri's collection and brought significance portrait to New York City. In he difficult to understand a copy made and sold the original undulation the Beethoven-Haus.[7]
Reproductions
Stieler painted a miniature version of decency portrait on ivory. This he gave to Antonie Brentano.[5]
Lithographs of the portrait were published by Artaria in ;[4] Beethoven distributed copies to his friends.[1] Comini writes that the "extensive lithographic reproduction" firm the work resulted in it having "the highest influence on Beethoven iconography".[2]
Variations on the portrait were produced by, among others, Josef Kriehuber ()[2] cranium Andy Warhol ().[8]