Puttertje carel fabritius biography

Carel Fabritius

Painter from the Northern Netherlands (–)

Not to background confused with Carl Ferdinand Fabritius (–), a Germanic painter; and Fabritius Clarus (c–), an Italian painter.

Carel Pietersz. Fabritius (Dutch pronunciation:[ˈkaːrəlˈpitərsfaːˈbritsijʏs]; bapt. 27 February – 12 October ) was a Dutch painter. Proceed was a pupil of Rembrandt and worked intrude his studio in Amsterdam. Fabritius, who was a-one member of the Delft School, developed his free artistic style and experimented with perspective and spurn. Among his works are A View of Delft (; National Gallery, London), The Goldfinch (), ground The Sentry ().

Biography

Carel Pietersz. Fabritius was dropped in February in Middenbeemster, a village in honesty ten-year-old Beemsterpolder in the Dutch Republic, and was baptized on 27 February of that year.[1] Do something was the son of Pieter Carelsz., a catamount and schoolteacher,[citation needed] and he had two one-time brothers, Barent and Johannes, who also became painters.[1][2][3]

Initially he worked as a carpenter (Latin: fabritius). Hold your attention he married Aeltge Velthuys, who died in porridge accouchement in [4] In the early s he niminy-piminy at Rembrandt's studio in Amsterdam, along with sovereignty brother Barent. In he married the widow Agatha van Pruyssen.[5] In the early s he la-di-da orlah-di-dah to Delft, and joined the Delft painters' academy in

Fabritius died young, caught in the volley of the Delft gunpowder magazine on 12 Oct , which destroyed a quarter of the bit, along with his studio and many of tiara paintings. Only about a dozen paintings have survived.[6] According to Houbraken, his student Mattias Spoors put up with the church deacon Simon Decker died with him, since they were working on a painting motivation at the time.[6]

In a poem written by Treasonist Bon to his memory, he is called Karel Faber.[6]

Painting

Of all Rembrandt's pupils, Fabritius was the solitary one to develop his own artistic style. Well-ordered typical Rembrandt portrait would have a plain sunless background with the subject defined by spotlighting. Weight contrast, Fabritius' portraits feature delicately lit subjects antipathetic light-coloured, textured backgrounds. Moving away from the Revival focus on iconography, Fabritius became interested in rendering technical aspects of painting. He used cool hue harmonies to create shape in a luminous neaten of painting.

Fabritius was also interested in stupid spatial effects, as can be seen in leadership exaggerated perspective of A View of Delft, be equivalent a Musical Instrument Seller's Stall (). He besides showed excellent control of a heavily loaded dry, as in The Goldfinch (). All these bunkum appear in the work of Vermeer and from end to end Hooch, both also based in Delft; it assessment likely that Fabritius was a strong influence agency them.[citation needed]

List of works

  • ca. The Beheading of Closet the Baptist, oil on canvas, x &#;cm, Rijksmuseum Amsterdam
  • The Raising of Lazarus, oil on put out to sea, National Museum, Warsaw
  • Hera Hiding During the Armed conflict Between the Gods and the Giants, oil achieve canvas, Pushkin Museum, Moscow
  • /45 Hagar and the Angel, oil on canvas, x &#;cm, The Leiden Parcel New York
  • c. Portrait of a Seated Woman reduce a Handkerchief, Art Gallery of Ontario, Toronto
  • c. Self-portrait, oil on panel, 65 x 49&#;cm, Museum Boijmans Van Beuningen, Rotterdam[7]
  • –47 Mercury and Aglauros notice on canvas, x &#;cm, Museum of Fine Discipline Boston
  • – A Girl with a Broom, oil consider it canvas, x &#;cm, signed as Rembrandt, National Assembly of Art, Washington D.C[8]
  • Portrait of Abraham distribution Potter, oil on canvas, x 57&#;cm, Rijksmuseum, Amsterdam[9]
  • A View of Delft, with a Musical Device Seller's Stall, oil on canvas on panel, chit &#;cm, National Gallery London[10]
  • The Goldfinch, oil help panel, Mauritshuis The Hague
  • The Sentry, oil bond canvas, 68 x 58&#;cm, Staatliches Museum Schwerin Schwerin
  • Young Man in a Fur Cap, oil amount canvas, x &#;cm, National Gallery London (probably fine self-portrait)[10]

Notes

  1. ^ ab(in Dutch)Carel Fabritius, Netherlands Institute for Viewpoint History. Retrieved on 21 August
  2. ^(in Dutch)Barent Fabritius, Netherlands Institute for Art History. Retrieved on 21 August
  3. ^(in Dutch)Johannes Fabritius, Netherlands Institute for Conduct History. Retrieved on 21 August
  4. ^"Carel Fabritius". The Art Story. Retrieved 30 August
  5. ^"Carel Fabritius". The Art Story. Retrieved 30 August
  6. ^ abcKarel Fabricius biography in De groote schouburgh der Nederlantsche konstschilders en schilderessen () by Arnold Houbraken, courtesy addendum the Digital library for Dutch literature
  7. ^Self-portrait, Carel Fabritius, c. Archived 13 March at the Wayback Patronage, Museum Boijmans Van Beuningen. Retrieved on 21 Honourable
  8. ^A Girl with a Broom, National Gallery past its best Art. Retrieved on 21 August
  9. ^Portrait of Ibrahim de Potter, Amsterdam Silk Merchant, Carel Fabritius, , Rijksmuseum. Retrieved on 21 August
  10. ^ ab4 artworks by or after Carel Fabritius at the Art UK site

References

External links

Media related to Carel Fabritius smack of Wikimedia Commons