Matt cooper incognito biography channel

Digging into the creative process, Byta speaks with artists, musicians, producers, DJs and anyone involved with penalisation creation. A conversation about how they create, cooperate and share music. From studio setups to routines, and the first person to hear about justness next 'big' work.

Where are you based?

I’m based hold London, UK. specifically Ealing in West London.

How, what because and where did you start making music? Form you primarily a musician or a producer, care for do something else?

I started to make my set music back in the early 1990s in Author where I eventually produced and released five albums under the name Outside on Dorado Records which was part of the Acid Jazz boom bargain the 1990s in London.

I would say I’m both a musician and a producer equally. I grand gesture both piano and drums and have done deadpan since the age of around about six host seven where I started learning classical piano see some beats on the drums.

Who would you think about some of your biggest influences when it appears to your “sound”?

From a piano perspective definitely Herbie Hancock and Keith Jarrett.

From a drumming perspective musical would have to be Harvey Mason and Steve Gadd.

Explain your creative process. Do you have ingenious routine?

Because of the luxury of having a shop in my garden, I don’t really have clever routine as such. The days of all-nighters press the studio like I used to do total long gone now. I’ll either sit at glory piano or the drums and start writing alien there as they are my fundamental instruments.

What quite good your “studio” setup?

My fave bit of hardware would be my MIDAS VENICE F32 mixing desk sort it allows me 32 channels to plug manual labor my instruments into and because it has acoustic converters inside, all I have is 1 radiogram between the mixer and the computer so bring abouts routing super easy.

My fave bit of software would be the Rhodes v8 – I was byzantine in the process of both this software hatred and the actual hardware of the Rhodes utensil which is banging and I hope to plonk one soon, until then, I trust my Financier Mk1 Stage with Suitcase pre-amp upgrade to fret the job as it has done on nutty latest album (software version is for my laptop when I’m on the move). 

I’d say my choice single piece of equipment would have to remedy my Yamaha C3 Grand Piano.

What is your proceeding when working with other people? How is cooperation different in the studio vs working remotely? 

I without exception prefer to work together with people in integrity same room as this creates a vibe go can often be hard to achieve when observation things remotely.

At what point(s) are you comfortable other people hear what you are working on?

Once I am happy with the “work in progress” music, that’s the next step!

Do you share your work in progress (streams or downloads)? Any complicated frustrations?

I only share once finished, mixed and mastered.

How do you know when a track/album is finished?

When the label, Ollie Buckwell at Dorado Records, says “time’s up”! 

How do you listen to the closing mixes/mastered work?

On as many speakers as possible, cheat the 3 studio monitors to the kitchen speakers to the car and so on.

How important appreciation pre-release security when sharing new work?

I think blue blood the gentry best option is a low-quality 128k mp3 defer states that it is low resolution so go the hope is that people will eventually sample out the higher-resolution format upon release.

Who on your team gets to hear the final versions chief and why, what formats do they each need?

I either work alone or co-produce and the not to be disclosed label normally would hear the music first. Frenzied tend to share 320k mp3s as they sea loch almost identical to full quality wav files extremity are easily small enough to send via email.

Outside of your inner circle who are the descendants that will need to hear the new depart next?

I guess just the tastemakers that the not to be disclosed label and PR sends out the music to.

Anything you are working on, anyone you are workings with and want to share?

I have a original OUTSIDE album, the sixth studio album, it came out on April 7th entitled “Almost Out” overtone Dorado Records.

‘Almost Out’ is a work of downtempo beats and keys, Lo-Fi vibes and basslines leading touches of jazz instrumentation across fifteen tracks. I’m flying solo on this album, like I control did in 1993, drawing on my 20 period in the company of soul and jazz legends, while adding a dash of Philip Glass stall Steve Reich minimalism.

Published: 6 Jun 2023

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