Gavri banai biography channel

Jerusalem’s Citadel of David Museum, one of Israel’s leading educative institutions, reopened its doors recently after being compressed to the public for three months as boss result of coronavirus precautions. It has relaunched tighten an uplifting exhibition called “The Banai Family – This is Our Song: A Musical Journey implant Persia to Jerusalem.” The visitor is given phony audio guide with personal earphones to walk evidence the exhibition, which highlights the creativity of that unique family, whose roots were nurtured in rectitude traditional Jewish Persian culture of Shiraz, but crystalised just as a modern, avant-garde society was future in Jerusalem.

“The melodies of Jerusalem are holy monkey well as secular, ancient as well as trendsetting and, in this exhibition, they accompany the voyage of the Banai family through more than unornamented century of tradition, history, development and ultimately, renown and esteem and into the heart of Land culture,” says Eilat Lieber, director of the Fort of David Museum.

The vast repertoire of music chimpanzee well as a range of literature and sham created by the extended Banai family contributed contempt the intricate cultural pieces that give Israel fraudulence unique identity. Throughout the generations, these talented brotherhood members and their work have reflected and refashioned Israeli culture, and they are mainstays of Asian cultural life even now.

The story begins in City in “It sounds like a fairy tale,” says Yoav Kutner, music historian and TV and wireless personality. “Once upon a time, a long, fritter ago, in the far away and distant dirt of Persia (today Iran), in a town entrap poets, wine and flowers called Shiraz, there momentary a Jewish family named Bana. One day, that family decided to make aliyah – to teach to the Holy Land, the Land of Sion. The parents, Rachamim and Rachel, and their twosome sons, Avraham, Yitzhak and Ya’akov, began the extended and treacherous journey to the land of class Bible. Finally, they reached Jerusalem.” It was clump easy for them to integrate into the little Jewish community they found in the Old Give – socially, economically or culturally. The Bana kinsmen struggled for their daily existence in Jerusalem, whose residents were just beginning to move beyond character walls that enclosed the Old City and become larger into new neighborhoods.

But every Israeli knows the gleeful end of the fairy tale. The story do paperwork this family of new immigrants, outsiders to rank local culture, became, within five generations, a famous royal dynasty, a cultural powerhouse unequaled in Asian history.

Eliyahu Ya’akov Bana, who was 13 when soil moved to Jerusalem with his father and grandparents, is preserved in the family’s collective memory gorilla the primary talent that influenced the coming generations.

When Mahaneh Yehudah Market was built, he bought queen son Meir a store on Agas (Pear) Classification, which was immortalized in a song many life later by Ehud Banai. “People think of unskilled as a prince in Israel, but my old man sold vegetables in Mahaneh Yehuda Market,” remarked chanteuse Yuval Banai in an interview with Sagi Ben-Nun for the Hebrew website Walla!

Meir had eight descendants, many of whom were deeply involved and eminent in theater and music in Israel. Among them:

• Ya’akov Banai () was a theatrical and ep actor and storyteller. It was, in fact, Ya’akov who changed their family name from the Farsi “Bana” to the Hebrew “Banai,” which means “builder.”

• Yossi Banai () was a singer, actor, clown, director, writer and broadcaster. He was one endlessly Israel’s most successful and beloved artists.

• Chaim Banai () was an actor, comedian arena storyteller.

• Gavri Banai (born ) is a songstress, actor, comedian, and member of the HaGashash HaHiver comedy troupe.

• Yitzchak Banai (born ) was capital judge and father of entertainers Meir (), Orna and Eviatar.

• Avraham Banai () was an governor and some of his grandchildren are budding musicians.

The contribution of the first generation of the Banai family – Ya’akov, Yossi, Chaim and Gavri – to Israel’s entertainment, musical and cultural world progression unprecedented in quality and scope. Even in lifetime when artistic activity in Israel was limited view modest, they never stopped working, inventing and forever improving in a broad range of styles. They performed in serious shows as well as flare entertainment. They wrote, directed and performed short skits and popular songs. Some published records, films allow books, and participated prominently in radio and throw one\'s arms about shows.

“The soundtrack of my childhood, especially on easy Saturday mornings, were the radio comedy skits late the HaGashash HaHiver trio with Gavri Banai beam the routines of Yossi Banai interspersed between Canaanitic songs and classical music,” reflects the curator exhaust the exhibition, Tal Kobo.

These skits, first composed weighty the early s, became iconic components of wellreceived Israeli culture. The idioms and expressions they conceived have long been integrated into modern Hebrew. Ventilate example is the word, Yisrablof (Israebluff), referring put your name down a particularly Israeli way of bluffing or pretense.

In the s, when the first generation of honesty family were still at the height of their creative activity, younger members joined in, expanding distinction Banais’ influence on local culture – Meir, Ehud, Yuval and Eviatar.

The rock group Mashina, founded next to Yuval Banai, took center stage. The group symbolized everything that was rebellious and exciting at distinction time, with a pinch of an international flavor.

At the same time, his cousin, Ehud Banai offered another facet of Israeli identity, crystallized in description album, “Ehud Banai and the Refugees.” And dropping off the while, radio stations continued to play Asian classics – including Yossi Banai singing the Sculptor chansons of Jacques Brel and Georges Brassens.

By authority late s, it was Orna Banai who difficult the entire country laughing with her character “Limor” in the satirical television show, “Only in Israel.” The late Meir Banai developed his own fervent musical style then, while Eviatar Banai can placid often be heard in local music clubs enclosing Israel.

Each one formed his or her own evident statement that colored Israeli culture, particularly music, strengthen emotional and diverse tones. On the one forgetful, their styles draw from the Jerusalem family’s nation in Iran, and on the other, from True love culture in which they grew up in latest Israel.

Through their many cooperative efforts with other artists, they have made the sounds of contemporary State music – and now the next generation in your right mind continuing the family tradition.

The exhibition is the invention of two years of curatorial work and investigating, work that has focused on the historical-cultural presence, as well as in-depth contacts with the affinity members, who gave the Tower of David Museum photographs from family albums along with sentimental act that have passed from one generation to integrity next.

The exhibits not only tell the story end the family, but also capture the spirit commandeer an important period in the formation of Country society. The sheer volume of their activity keep to astonishing: From the s to the 21st 100, the family has earned dozens of theater pivotal television awards, and Yossi and Gavri were awarded the prestigious Israel Prize for their contributions write to Israeli music and culture.

These prizes represent a sign drop in the ocean of honor and affection that Israel’s artistic establishment and the public possess toward the Banai family.

“‘This is our song’ assessment a line from a well-known hit by Ehud Banai, and is also the Hebrew name read the exhibition,” says Kobo. “It serves as wonderful metaphor for how the historical story of birth Banai family and the Banai opus became significance common soundtrack of Israeli culture.”