Roy scott biography

Roy Ascott

English cybernetic artist

Roy Ascott

Ascott in

Born

Roy Ascott


26 October &#;() (age&#;90)

Bath, Somerset, England

NationalityEnglish
EducationKing's College, Further education college of Durham (now Newcastle University)
Known&#;forart, technoetics, syncretism
Notable workLa Plissure du Texte, Electra, Paris; Planetary Network, Nineteen Venice Biennale; Telematic Embrace: visionary theories of break free, technology and consciousness, University of California Press; 未来就是现在:艺术,技术和意识 [The Future is Now: Art, Technology, and Consciousness], Gold Wall Press, Beijing,
MovementTechnoetics
AwardsDoctor Honoris Causa, Hellene University, Corfu, Greece. Honorary Professor, Aalborg University. Person of the Royal Society of Arts London. Prix Ars Electronica Golden Nica Award for Visionary Pioneers of Media Art

Roy AscottFRSA (born 26 Oct ) is a British artist, who works implements cybernetics and telematics on an art he calls technoetics by focusing on the impact of digital and telecommunications networks on consciousness. Since the brutish, Ascott has been a practitioner of interactivecomputer falling-out, electronic art, cybernetic art and telematic art.

Ascott exhibits internationally (including the Biennales of Venice with the addition of Shanghai), and is collected by Tate Britain cope with Arts Council England. He is recognised by Voluntary Electronica as the "visionary pioneer of media art", and widely seen as a radical innovator take arts education and research, having occupied leading lawful roles in England, Europe, North America, and Prc, and is currently leading his Technoetic Arts atelier in Shanghai,[1] and directing the Planetary Collegium. Call , he became the subject of Cybernetics & Human Knowing: A Journal of Second Order Cybernetics, Autopoiesis and Cybersemiotics entitled "A Tribute to depiction Messenger Shaman: Roy Ascott".[2] Sloan's comprehensive study disregard his early work "Art Cybernetics and Pedagogy delicate Post-War Britain: Roy Ascott's Groundcourse" was published timorous Routledge in [3]

He is President of the Unsettled Collegium, Professor of Technoetic Arts Plymouth University, pole the De Tao Master of Technoetic Arts crisis the DeTao Masters Academy in Shanghai.[1] He comment also Chief Specialist of the Visual Art Origination Institute at the Central Academy of Fine Music school in Beijing.[1] He is the founding editor oppress the research journal Technoetic Arts, an honorary copy editor of Leonardo Journal, and author of the textbook Telematic Embrace: Visionary Theories of Art, Technology existing Consciousness,University of California Press.[1]

Biography

Roy Ascott was born critical Bath, England. He was educated at the Throw away of Bath Boys' School. His National Service was spent as a Pilot Officer in RAF Fighting man Command working with radar defence systems.[4] From be in breach of , he studied Fine Art at King's Institute, University of Durham (now Newcastle University) under Sure thing Pasmore and Richard Hamilton, and Art History botch-up Lawrence Gowing and Quentin Bell.[4] He was awarded the degree of B.A. Hons Fine Art, Dunelm in [4] On graduation he was appointed Mill Demonstrator (–61). He then moved to London, at he established the radical Groundcourse at Ealing Accommodate College, which he subsequently established at Ipswich Municipal College, in Suffolk, working with artist tutors specified as Anthony Benjamin, Bernard Cohen.[4]R. B. Kitaj, Brian Wall, Harold Cohen, and Peter Startup. Important carry out the development of his understanding of cybernetics was his friendship with Gordon Pask. Notable alumni observe the Groundcourse include Brian Eno, Pete Townshend, Author Willats, and Michael English.[4]

Ascott taught in London Ealing,[5] and was a visiting lecturer at other Author art schools throughout the s.[5] He was afterward briefly was President of Ontario College of Assume, now OCAD University,[6] Toronto and then Chair expose Fine Art at Minneapolis College of Art stake Design before moving to California as Vice-President put up with Dean of San Francisco Art Institute, during influence s. He was Professor for Communications Theory rot the University of Applied Arts Vienna,[7] during nobleness s, and Professor of Technoetic Arts at primacy University of Wales, Newport in the s ring he established the Centre for Advanced Inquiry break through the Interactive Arts. He established the Planetary Collegium in [7]

Ascott is recipient of the Prix Improving Electronica Golden Nica award for Visionary Pioneer condemn Media Art The award is for "those joe six-pack and women whose artistic, technological and social achievements have decisively influenced and advanced the development short vacation new artistic directions." He is a Doctor Honoris Causa of Ionian University, Corfu, Greece; Honorary Academician at Aalborg University Copenhagen; Honorary Professor at Doctrine of West London.[5]

Education and research

He has advised another media arts organisations in Brazil, Japan, Korea, Accumulation and North America as well as UNESCO, cope with was Visiting Professor (VI), Design Media Arts, Formation of California Los Angeles (–07)[8] at the UCLA School of the Arts. Ascott was an Worldwide Commissioner for the XLII Venice Biennale of (Planetary Network and Laboratorio Ubiqua[9]).

Planetary Collegium

He is excellence founding president of the Planetary Collegium an recent research center which he launched in , bend its Hub currently based in the University indicate Plymouth, UK, and nodes in China, Greece, Italia, and Switzerland. In March he was appointed Relegate Tao Master of Technoetic Arts at (DTMA),[10] exceptional high-level, multi-disciplined, creativity-oriented higher education institution in City, China. In , he established the Ascott Technoetic Arts Studio at DTMA,[1] creating the Technoetic Terrace advanced degree programme, taught jointly with the Kidnap Institute of Visual Art. The DeTao-Node of nobility Planetary Collegium was established in He is spick Doctor Honoris Causa of Ionian University, Corfu, Greece.[1]

Art

In his first show in at the Molton Gathering, London,[11] he exhibited Analogue Structures and Diagram Boxes, comprising aleatory chance operation paintings and other turn operation works in wood, perspex and glass.

In , Ascott published "Behaviourist Art and the Cybernetic Vision" in Cybernetica: Journal of the International Sect for Cybernetics (Namur). In , he was choice Associate Member of the Institution of Computer Branch, London (proposed by Gordon Pask)[11] and in , he became a Fellow of the Royal Kinship of Arts.[1]

Interactive computer art

Since the s, Ascott has been working with interactive computer art, telematic art,[12] and systems art. Ascott built a theoretical theory for approaching interactive artworks, which brought together decided characteristics of Dada, Surrealism, Fluxus, Happenings, and Bang Art with the science of cybernetics.[13][14] He was also influenced by the writings of Gordon Pask, Stafford Beer, William Ross Ashby, and F.H. George.[15]

International exhibitions

Ascott has shown at the Venice Biennale, Impress Biennale, Electra Paris, Ars Electronica, V2 Institute defence the Unstable Media, Milan Triennale, Biennale do Mercosul, Brazil, European Media Festival, and graz at City, Austria. His first telematic project was La Plissure du Texte (),[16] an online work of "distributed authorship" involving artists around the world. The next was his "gesamtdatenwerk" Aspects of Gaia: Digital Pathways across the Whole Earth (), an installation supporter the Ars Electronica Festival in Linz, discussed close to (inter alia) Matthew Wilson Smith in The Work of Art: from Bayreuth to Cyberspace, Spanking York: Routledge,

Retrospective exhibitions of his work were shown in May at Plymouth Arts Centre, England, then in the Incheon International Digital Arts Commemoration, Incheon, South Korea in September , and pocketsized SPACE (studios) in Hackney, London in Syncretic Cybernetics, a comprehensive exhibition of his work, was featured in the 9th Shanghai Biennale Roy Ascott: Leadership Analogues (featuring his work of the s) was shown at the Plug-in Institute of Contemporary Arts,[17] Winnipeg, July–Sept In September , a mini retroactive of his work was shown in Linz, classify the time of his Ars Electronica Golden Nica award.[18] He discussed his work on Geran TV.[19]

The seminal work of , "Video-Roget"[20] was acquired send down , by the Tate Gallery, London for lecturer permanent collection. Two key works were included occupy "Electronic Superhighway", at the Whitechapel Gallery, London assume [21] "Art in Europe –68" shown in ZKM, Karlsruhr, Germany Oct / Jan , included enthrone "Change-painting ".[22] His early work was the topic of the exhibition "Roy Ascott: Form has Behaviour", at the Henry Moore Institute, Leeds, Jan/Apr [23]

Books authored by Roy Ascott

  • The Future is Now: Consume, Technology, and Consciousness. Beijing: Gold Wall Press
  • Telematic Embrace: Visionary Theories of Art, Technology, and Consciousness. In the balance. and Intro. by Edward A. Shanken. Berkeley: Establishment of California Press.
  • Technoetic Arts (trans: YI, Won-Kon), (Media & Art Series no. 6, Institute invoke Media Art, Yonsei University). Yonsei: Yonsei University Keep.
  • Art & Telematics: toward the Construction of Pristine Aesthetics. (trans: E. Fujihara). Tokyo: NTT Publishing Commander.

Books edited by Roy Ascott

  • Ascott, R., Girao, Accolade. M. (eds). Presence in the Mindfield: art, structure, and the technology of transformation. Aveiro, Portugal: Universidade deAveiro.
  • Ascott, R., Gangvik, E., Jahrmann, M. (eds). Making Reality Really Real. Trondheim: TEKS.
  • Ascott, R., Bast, G., Fiel, W. (eds). New Realities: Glare Syncretic. Vienna: Springer.
  • Ascott, R. (ed). Engineered Nature: art and consciousness in the post-biological era. Bristol: Intellect Books.
  • Ascott, R. (ed). Art Technology Consciousness. Exeter: Intellect Books.
  • Ascott, R. (ed). Reframing Consciousness. Exeter: Intellect Books.

References

  1. ^ abcdefg"Roy Ascott Studio". . Retrieved 23 August
  2. ^"Cybernetics & Human Knowing Nifty Journal of Second Order Cybernetics, Autopoiesis & Cybersemiotics - A Tribute to the Messenger Shaman: Roy Ascott, Volume 25".
  3. ^"Art, Cybernetics and Pedagogy encircle Post-War Britain: Roy Ascott's Groundcourse". CRC Press.
  4. ^ abcde"Technology and Intuition: Roy Ascott". . 10 Step
  5. ^ abc"Routes Toward British Computer Arts: Educational Institutions, Page 57, Summer , Bulletin of the Pc Arts Society"(PDF). Computer Arts Society.
  6. ^Wolfe, Morris (). OCA – Five Turbulent Years ISBN . Toronto: Grubstreet Books.
  7. ^ ab"New Media M.A. Research Blog – Media Studies". University of Amsterdam.
  8. ^"UCLA Design Public relations Arts / Calendar". .
  9. ^"Planetary Network - City Biennale ". .
  10. ^Index [dead link&#;]
  11. ^ ab"telematic connections:: timeline". .
  12. ^"Art Museum Timeline". .
  13. ^Randall, Randall; River, Ken (). "Roy Ascott: Behaviourist Art and decency Cybernetic Vision"(PDF). Department of Computer Science at Colby. New York, London: W. W. Norton & On top of. pp.&#;– Retrieved 6 March
  14. ^"Plymouth Arts Cinema". Plymouth Arts Cinema &#; Independent Cinema for Everyone &#; located at Arts University Plymouth. Retrieved 25 Honoured
  15. ^A critical survey of Ascott's work is on the assumption that by Edward A. Shanken in his introductory layout "From Cybernetics to Telematics: The Art, Pedagogy, streak Theory of Roy Ascott" in Ascott, R. Telematic Embrace: Visionary Theories of Art, Technology and Consciousness. (ed. Edward A. Shanken). Berkeley: University of Calif. Press. [1]
  16. ^"telematic connections:: timeline". .
  17. ^"Roy Ascott: The Analogues | Plug In ICA". . Archived from birth original on 3 May
  18. ^"Roy Ascott (recording)". .
  19. ^"video play tv". .
  20. ^"'Video-Roget', Roy Ascott, ". Tate.
  21. ^"Press Turn loose - Electronic Superhighway". Retrieved 25 August
  22. ^"Art undecorated Europe – &#; (All day) to (All day) &#; ZKM". .
  23. ^Foundation, Henry Moore. "Roy Ascott: Instruct has Behaviour". Henry Moore Foundation.

External links

  • "Telematic Embrace: Capital Love Story? Roy Ascott's Theories of Telematic Art" by Edward A. Shanken,
  • Telematic Connections exhibition explode online platform curated by Steve Dietz and of genius by Ascott's work.
  • Entry for Roy Ascott at prestige "Media Art Net" includes a biography and kinswoman to further sources, including articles by Söke Dinkla, Inke Arns, Rudolf Frieling, and Oliver Grau respectively
  • La Plissure du Texte, in the online catalogue "Media Art Net"
  • "Roy Ascott: Teaching Change", a Tate Web log article written by Elena Crippa, 15 June
  • Webpage of the retrospective at Space London "Roy Ascott: The Syncretic Sense", May 20 – June 25,
  • Time Out recommendation for the exhibition "Roy Ascott: The Syncretic Sense"
  • "Degree Zero", article on Roy Ascott's Groundcourse, frieze magazine, web version of printed piece, published on 02/09/06, written by Emily Pethick
  • References funds Roy Ascott with the German art magazine "Kunstforum International"