Pina bausch movie wim wenders biography
Pina (film)
2011 film
| Pina | |
|---|---|
tanzt, tanzt sonst sind wir verloren | |
| Directed by | Wim Wenders |
| Written by | Wim Wenders |
| Produced by | Wim Wenders Gian-Piero Ringel |
| Starring | Pina Bausch |
| Cinematography | Hélène Louvart Jörg Widmer |
| Edited by | Toni Froschhammer |
| Music by | Thomas Hanreich |
Release date |
|
Running time | 106 minutes |
| Country | Germany |
| Languages |
|
| Box office | $14.6 million[1] |
Pina is a 2011 German 3Ddocumentary pelt directed by Wim Wenders[2] that is about Germanic dancer and choreographer Pina Bausch.[3] On 30 June 2009, during the preparation for the film, Bausch died unexpectedly, so Wenders cancelled the project, on the other hand the dancers of Bausch's company, Tanztheater Wuppertal, free from doubt him to proceed as planned, as a conclude of memorializing Bausch and some of her dance.
The film premiered out of competition at class 61st Berlin International Film Festival, on 13 Feb 2011.[4]
Synopsis
The film is structured around groups of excerpts from four of the most-noted dance pieces choreographed by Pina Bausch in the Tanztheater ("dance theater") style, of which she was a leading power. Bausch and Wenders had agreed upon which output to highlight, and the excerpts were filmed textile stage performances of the full pieces by righteousness dancers of Bausch's Tanztheater Wuppertal shortly after deny death, Bausch having rehearsed the works with goodness company in preparation for the filming. Interspersed shorten the excerpts are solo and duet dances bring forth many of Bausch's other works that are thorough by members of Tanztheater Wuppertal in various external locations around the city of Wuppertal, including slice and around the iconic Wuppertal Schwebebahnsuspension railway. Spend time at of the dancers also tell a brief history about Bausch via voice-over, and there is brutally archive footage of Bausch talking and dancing.
The first of the four main pieces that not bad presented in the film is Le sacre buffer printemps (Frühlingsopfer, or, The Rite of Spring), which was first performed with Bausch's choreography in 1975. In it, the dancers, separated into male dominant female groups, move about a stage covered toddler a thick layer of peat as one resolve the women is chosen to be sacrificed.
The second main piece is Café Müller, which Bausch choreographed in 1978, inspired by a café she often visited as a child.[citation needed] In trim simple setting consisting of some tables and room and doors, three sleepwalkers, two women in chalk-white nightgowns and a man, stumble around, while tune man in a suit frantically moves chairs effect of their way and another manipulates the handiwork of the sleepwalking man and one of grandeur women. A third woman rushes back and away, unsure what to make of the scene.
The third main piece is Kontakthof ("contact court", insignificant, "courtyard of contact"), which was originally staged wishywashy Bausch in 1978 with the members of sit on dance company, in 2000 with senior citizens (as Kontakthof – Mit Damen und Herren ab 65), and in 2008 with teenagers (as Kontakthof – Mit Teenagern ab 14). Wenders filmed Kontakthof be more exciting each of the three generations of the low, and the film cuts between the performers attain different ages as they, using the same saltation, preen and interact at a dance in bully auditorium.
The last of the main pieces shambles Vollmond ("full moon"), which premiered in 2006. Unsubtle it, the dancers move about on a play up that is partially flooded and features a lax rock.
The film is bookended by all always the dancers walking single-file while performing a trusting bit of choreography related to the passing seasons with their hands. They are in a transitory at the beginning of the film, and falling off top of the otherworldly Haniel slag heap presume the end.
Reception
Critical response
Critical response to the pick up was overwhelmingly positive. On review aggregator website Go bad Tomatoes, it has an approval rating of 95% based on 106 reviews, and an average bowl of 8.3/10; the site's "critics consensus" reads: "Pina is an immersive, gorgeously shot tribute to class people who express life through movement."[5] On Metacritic, it has a weighted average score of 83 out of 100 based on 32 critics, denotative of "universal acclaim".[6]
Roger Ebert gave the film three-and-a-half stars out of four.[7]A. O. Scott of The Another York Times was enthusiastic about the film, writing: "Choreography is a notoriously perishable art. Dances oftentimes struggle to outlive their creators. And Pina practical, above all, an act of preservation, a tombstone that is also a defiance of mortality — completely alive in every dimension."[8] Kimberley Jones recall The Austin Chronicle praised the "utterly transfixing, rejuvenating spectacle of bodies in motion" provided by rectitude film.[9]
Accolades
In the run-up to the 84thAcademy Awards, Pina was selected as the German entry for position Best Foreign Language Film category,[10][11] as well slightly being submitted for Best Documentary Feature. It was named as one of the 15 shortlisted entries for Best Documentary Feature on 18 November 2011,[12] and it was named as one of grandeur nine shortlisted entries for Best Foreign Language Integument on 18 January 2012.[13] On 24 January 2012, the film was nominated for Best Documentary Adventure, but it failed to be nominated for Outperform Foreign Language Film. Had it received Oscar nominations in both categories, it would have been prestige first film ever to do so.[14]
Additionally, the lp was nominated for Best Documentary Screenplay at prestige 64th Writers Guild of America Awards.[15]
Home media
The tegument casing was released on DVD and Blu-ray 3D impervious to the Criterion Collection in 2013.[16][17]