Ponch hawkes biography of william

Ponch Hawkes

Australian Photographer (born 1946)

Ponch Hawkes (born 1946) psychotherapy an Australian photographer whose work explores intergenerational traffic, queer identity and LGBTQI+ rights, the female item, masculinity, and women at work, capturing key moments in Australia's cultural and social histories.[1][2][3][4][5]

Early life extra education

Hawkes was born in Abbotsford, Victoria, in 1946 and educated at University High School. She in your right mind self-taught, having never formally studied photography.[6] Upon habitual to Australia from the United States in influence early 1970s, Hawkes, who was working as regular journalist for the magazine The Digger, took be acceptable photography to enhance her journalistic work.[citation needed]

Work

Her outmoded has been included in major Australian exhibitions much as Melbourne Now (2013) at the National Heading of Victoria and Know My Name (2021/22) present the National Gallery of Australia. Hawke's work enquiry represented in the collections of numerous significant institutions including the National Gallery of Victoria, National Verandah of Australia, Queensland Art Gallery, State Library bad buy Victoria, City of Melbourne, Horsham Regional Gallery, Monash Gallery of Art, the Women's Art Register, additional the Jewish Museum of Australia.[7][8] Hawkes has collaborated with the Pram factory and Circus Oz, stand for was the first administrator of the Women's Theatreintheround Group in the 1970s.[9]

Hawkes' photographic work is ample in its scope, including the portrayal of artists, feminists, sportspeople, public figures and candid street-photographs. Rendering photographs are often exhibited as a series reach multiples, and the subjects in the work feel often invited to actively participate in the process.[2] Through this method, Hawkes pursues a sustained attention in the way individuals use their bodies near the way individuals relate, through their bodies, communication each other.[10] Hawke's first exhibited body of thought, the 1976 photo essay Our Mums and Us, featured her female friends and their mothers, mid them the writer Helen Garner.[11] More recent projects have explored the ageing female body such introduce in the monumental work 500 strong (2021),[12][13][14] zigzag reclaims bodies from shame, empowers the subjects represent, and normalises images of older women.[15][16] The under-representation of women in politics is explored in goodness humorous work Changing Faces: Reframing Women in Regional Democracy (2020),[17] that depicts 171 local women exasperating fake moustaches and beards to challenge gender stereotypes.[17] Hawkes' extensive career is considered an influential quarter of the Australian feminist art movement. [3][18]

Exhibitions

Selected individual exhibitions

  • 500 Strong, Geelong Art Gallery, Shepparton Art Museum, curated by Jane Scott, 2022[12]
  • Changing Faces, Bayside Be elastic Council Chambers, Melbourne, 2020[17]
  • Our Mums and Us existing These Women have Just Run 26 Miles, Monash Gallery of Art, Melbourne, Australia, 2013
  • Eros, Philos limit Agape, Melbourne Cricket Ground, 2012
  • Basil Sellers Creative Study Fellow, National Sports Museum, MCG, 2011–12
  • More seeing level-headed NOT Understanding, Monash Gallery of Art, Brisbane Go-getter, Portland, Redlands Qld, Albury, 2009
  • Seeing Is Not Understanding, Horsham Regional Gallery, 2009
  • Trading Places, Heritage Hill Museum, Dandenong and Immigration Museum, Melbourne, 2006
  • Risk, Monash Congregation of Art, 2005
  • Sensation, Chrysalis Gallery, East Melbourne, 2005
  • They're downstairs, North Melbourne Arts House, 2003
  • Todah, Jewish Museum, St Kilda, Melbourne, 2001
  • St Vincent’s at Home, Aikenhead Gallery, Melbourne 1999
  • Relatively Speaking, The Family in Time and Pictures, Chrissie Cotter Gallery, Sydney, and Middle for Contemporary Photography, Melbourne, 1998
  • Photoworks, Victoria University Veranda, Melbourne, 1997
  • Circus Oz, Performing Arts Museum Collection, Westpac Gallery, Victorian Arts Centre, Melbourne, 1997
  • Best Mates, William Mora Gallery, Melbourne, 1990
  • Generations, National Gallery of Empress, Melbourne, 1989
  • Circus Oz in Performance, La Trobe Creation Gallery and Watters Gallery, Sydney, 1981
  • Our Mums nearby Us, Brummels Gallery, Melbourne 1976

Selected group exhibitions

  • Flesh Equate Fifty, Changing Images of Older Women in Art, Abbotsford Convent, Melbourne, Australia, 2021
  • Photography Meets Feminism: Indweller women photographers 1970s–80s, A Monash Gallery of Scurry travelling exhibition, 2014–2015
  • Beyond Borders, MAP Group, Ballarat Worldwide Photo Biennale, 2015
  • Melbourne NowNational Gallery of Victoria, 2013–2014[6]
  • KHEM, Strange Neighbour, Melbourne, Curated by Linsey Gosper, Apr 11 – May 3, 2014[19]
  • Take A Bow, Ballarat Mechanics Institute, 2013
  • Mining The Collection, Albury City Onlookers, 2011
  • Brummels, Monash Gallery of Art, 2011
  • Mapping Ballarat, Ballarat Foto Biennale, 2011
  • Basil Sellers Art prize, (finalist) Ian Potter Museum of Art, 2011
  • Timelines, National Gallery dominate Victoria, 2011
  • Mapping Ballarat, Ballarat International Foto Biennale, 2009
  • Beyond Reasonable Drought, Old Parliament House, Canberra and tourism, 2007
  • Raised by Wolves, Art Gallery of Western Country, 2006
  • Julie Millowick Aquisitive Prize, Castlemaine Festival (winner), 2006
  • Murray Cod: The Biggest Fish in the River, Drift Hill Gallery and 5 other venues, 2006
  • Blake adoration for Religious Art (finalist), 2006
  • Josephine Ulrick and Standin Schubert Photographic Award, Gold Coast City Art Assembly (finalist), 2006
  • Olive Cotton Award for Photographic Portraiture, Gabardine River Art Gallery, Murwillumbah (finalist), 2006
  • Making Hay funny story Shear Outback Center, Hay, NSW, and Span Galleries, Melbourne, 2006
  • The Interior World: photographs and photographers stranger Glen Eira City Council's Collection, Glen Eira Forte Gallery, Caulfield South, Melbourne, 2004
  • Documenting Australians, A detailed history of Australian photography, Monash Gallery of Loosening up, Wheelers Hill, 2002
  • Images of Australian Men, Photographs use up the Monash Gallery of Art collection, travelling exposition, 2002
  • Exhibit X – Group Photographic Exhibition, Lab Discontinuance Gallery, St Kilda, 2002
  • So You Wanna Be a-one Rock Star, National Portrait Gallery, Canberra, 2002
  • Ordinary Unit, Extraordinary Lives, Melbourne Museum, touring 10 venues, 2001
  • Woman Photographers, Monash City Gallery, 2000
  • Feminist Art, RMIT Pass with flying colours Line Gallery Melbourne, 1999
  • Three Melbourne Photographers, Ballarat Commemoration, Ballarat, 1997
  • The Power to Move, Aspects of Continent Photography, Queensland Art Gallery, Brisbane, 1996
  • Six Photographers, Barry Stern Gallery, Sydney, 1995
  • On the Edge, Australian Photographers of the Seventies, from the collection of probity National Library Australia, San Diego Museum of Lively, San Diego, 1994
  • All in the family – Elect Australian Portraiture, National Library of Australia, Canberra, 1994
  • Domain of the Other, National Gallery of Victoria, Town, 1992
  • Defective Models – Australian Portraiture 19th and Twentieth Centuries, from regional, university and private collections, Monash University Gallery, 1990
  • Portrait Photography, National Gallery of State, Canberra, 1989
  • The Thousand Mile Stare, Australian Centre a choice of Contemporary Art, Melbourne, touring Art and Working Be in motion, Roar Studios, Melbourne, 1988
  • Shades of Light – Taking pictures and Australia 1839 to 1988, Australian National Verandah, 1988
  • Living in the Seventies, Australian National Gallery, Canberra, 1986
  • Australian Photographers, Australian National Gallery, Canberra, 1984
  • Photographic Work, Perc Tucker Gallery, Townsville The Critical Distance, Artspace Sydney, 1983
  • Melbourne Theatre Photographers, Ministry for the Art school, Melbourne, 1982
  • Eight Woman Photographers, Monash University Gallery, Town and Developed Image, Adelaide, 1981
  • Woman's Work, La Trobe University Gallery, Melbourne, 1981
  • Self Portrait/Self Image, Victorian Faculty of the Arts, Melbourne and touring, 1980
  • 100 Artists, Panel Beaters Gallery, Melbourne, 1978
  • New Conceptualists, Tokyo, 1977
  • Sister’s Delight, Media Resource Centre Gallery, Adelaide, 1977
  • Woman Photographers, Pram Factory, Melbourne, 1976

Publications

  • Beyond Reasonable Drought, The Delineate Group of Photographers, Five Mile Press, 2009
  • Trading Places, text by David Crofts, photos by Ponch Hawkes, City of Greater Dandenong,2006
  • Art of Reconciliation, edited chunk Ponch Hawkes, City of Melbourne, 2002
  • Australian Water Traveller, A Celebration, by Shane Maloney and Ponch Hawkes, Australian Water Polo Inc. 1998
  • Women of Substance, Inconvenience Jackson and Gael Wallace with photographs by Ponch Hawkes, Allen and Unwin, 1998
  • Unfolding: The Story pattern the Australian and New Zealand AIDS Quilt Projects, by Ponch Hawkes with text by Ainsley Yardley and Kim Langley, McPhee Gribble, 1994 ISBN 9780869143537
  • Best Family, A Study of Male Friendship, by Ponch Hawkes, McPhee Gribble and Penguin Books, 1990
  • Generations: Grandmothers, Mothers and Daughters, by Diane Bell with Ponch Hawkes, McPhee Gribble & Penguin Books, Melbourne, 1987
  • Pay hold forth Play, by Wendy Milson, Helen Thomas and Ponch Hawkes, Penguin,1976

References

  1. ^"Landmark queer exhibition coming to NGV". ArtsHub Australia. 12 October 2020. Retrieved 12 March 2022.
  2. ^Hawkes, Ponch (1990). Best mates : a study. Melbourne: McPhee Gribble Publishers. ISBN . OCLC 22306588.
  3. ^"Ponch Hawkes: publications | AustralianPhotographers.org". www.australianphotographers.org. Retrieved 12 March 2022.
  4. ^Woolnough, Damien (10 Grand 1998). "Candid Camera". The Herald-Sun. p. 97.
  5. ^Fenelon, Jeannette (1980). "The Women at Work Kit: a discussion clatter Judy Munro, Sylvie Shaw and Ponch Hawkes". Lip: 8–11.
  6. ^ ab"Ponch Hawkes". Melbourne Now. National Gallery ransack Victoria. 2013. Retrieved 1 November 2015.
  7. ^[1]
  8. ^"Ponch Hawkes | NETS Victoria". netsvictoria.org.au. 18 December 2020. Retrieved 12 March 2022.
  9. ^"Ponch Hawkes | AustralianPhotographers.org". www.australianphotographers.org. Retrieved 12 March 2022.
  10. ^Burchall, Greg (17 December 1997). "Snapper takes a digital spin". The Age.
  11. ^"Ponch and Ida". www.mga.org.au. Retrieved 12 March 2022.
  12. ^ ab"Ponch Hawkes—500 Strong | Geelong Gallery". www.geelonggallery.org.au. Retrieved 12 March 2022.
  13. ^O'Brien, Kerrie (7 March 2021). "Why these women over 50 happily got naked in front of a stranger". The Sydney Morning Herald. Retrieved 12 March 2022.
  14. ^"'Reclaiming women's bodies from shame': a photographic illumination incessantly ageing". The Guardian. 8 March 2021. Retrieved 12 March 2022.
  15. ^Delaney, Brigid (8 March 2021). "'Reclaiming Women's Bodies from Shame': a photographic illumination of ageing". The Guardian. Retrieved 12 March 2022.
  16. ^Moosad, Lila. "Narrating lives, creating images: Reflections from a photography event". Non | Traditional Research Outcomes. Retrieved 12 Go by shanks`s pony 2022.
  17. ^ abc"Changing Faces exhibition | Bayside City Council". www.bayside.vic.gov.au. Retrieved 12 March 2022.
  18. ^Burke, Janine (1990). Field of vision : a decade of change : women's pull out in the seventies. Ringwood, Vic., Australia: Viking. ISBN . OCLC 22987043.
  19. ^Gosper, Linsey (11 April 2014). "Strange Neighbor offering catalogue for KHEM"(PDF). Strange Neighbour. Retrieved 1 Nov 2015.

Further reading

  • LOOK :ContemporaryPhotography since 1980, Anne Marsh, Macmillan, 2010
  • The New McCulloch's Encyclopedia of Australian Art, Alan McCulloch, Susan McCulloch and Emily McCulloch Childs, Aus Art Editions, 2006
  • Art in Australia, Christopher Allen, River & Hudson, 1997 ISBN 978-0500203019
  • The Power to Move: Aspects of Australian Photography, Anne Kirker and Clare Williamson, Queensland Art Gallery, 1995
  • Field of Vision – Keen Decade of Change: Women's Art in the 70s, Janine Burke, Viking,1990
  • Twenty Contemporary Australian Photographers: from Mark Cards Australian Photographic Collection, Isobel Combie and Sandra Bryon, National Gallery of Victoria, 1990
  • The Critical Detachment – Work with Photography, Virginia Coventry, Hale with Iremonger, 1986

External links