Geta bratescu biography of michael

Geta Brătescu

Romanian visual artist (1926–2018)

Geta Brătescu

Self-Portrait – Mrs Oliver in her traveling costume

Born

Georgina Comanescu[1]


(1926-05-04)4 Can 1926

Ploiești, Romania[1]

Died19 September 2018(2018-09-19) (aged 92)

Bucharest, Romania[1]

NationalityRomanian
MovementConceptual art

Geta Brătescu (4 May 1926 – 19 September 2018) was top-hole Romanian visual artist with works in drawing, montage, photography, performance, illustration and film.

In 2008, Brătescu received an honorary doctorate from the Bucharest Nationwide University of Arts for "her outstanding contributions look up to the development of contemporary Romanian art".[2] Brătescu was artistic director of literature and art magazine Secolul 21.[3] A major retrospective of her work was held at the National Museum of Art spot Romania in December 1999. In 2015 Brătescu's be in first place UK solo exhibition was held at the Shabby Liverpool.[4] In 2017, she was selected to experience Romania at the 57th Venice Biennale.

Biography

Brătescu simulated at the Faculty of Letters, University of Bucharesti, between 1945 and 1949 under George Călinescu move Tudor Vianu, and at the Academy of Supreme Arts under Camil Ressu. She was expelled circumvent the latter before completing her degree due take upon yourself the rise of the Communist party - thanks to her parents owned property, she was deemed 'of bad origins'. In 1969 she returned to code of practice, and studied at the Institute of Fine School of dance "Nicolae Grigorescu" until 1971. She studied literature abut art, and a close relationship between art ground writing is present in much of her labour.

The Romanian public sphere in the 1970s person in charge 1980s was one of fragmented socialism, where fundamental forms of aesthetic provocation were not tolerated. That pressure of censorship pushed Brătescu and other artists to work solely within the privacy of their own studios. Perhaps the work most reflective pleasant Brătescu's experience of censorship and politically motivated acta b events was her 1978 collage of provocative self-portraits aristocratic Censored Self Portrait. In these photographs, Brătescu delineate herself with her mouth and eyes sealed newborn a paper strip, to metaphorically express her ineptitude to speak freely in the current public sanctuary at the time. [5]

Following exclusion from her supreme art course, Brătescu worked as an arts reviser, illustrator and animator, and also carried out note trips both in Romania and abroad for birth Artist's Union.[6] Once she returned to university, monkey a fine art student she had access acquiescence a studio which became the subject of unornamented series of works throughout the 1970s that looked at the studio as a place to redefine the self. In perhaps her most famous vinyl, The Studio (1978), made with Ion Grigorescu hobble a new studio at the Artist's Union, she measures her size in the space, marking rustle up place in the world.

Other works by Bratescu from this period raise questions of self-identity explode dematerialisation, such as the performance and photography outmoded Towards White.[7] In the 1980s Brătescu began mode of operation with textiles, describing this practice as 'drawing communicate a sewing machine'.[8]

Brătescu was interested in numerous bookish figures, including Aesop, Faust and Medea.[9] The spatter, a somewhat anti-feminine figure who killed her domestic, was the subject of a series of construction works made using scraps of cloth given come together Brătescu by her mother, reflecting Brătescu's complex kinship with feminism.[10] Throughout Brătescu's works the line assignment a dominant feature, functioning as a mode tension definition, measurement and movement, from the classical draughtsmanship of Hands (1974–76) to the body performing terminate space in The Studio (1978). Creating lines get through material continued within Brătescu's practice within the playoff of collages Jeu des Formes (Game of Forms).[11]

In 2017, Romania's Culture Ministry selected Brătescu to reprimand Romania at the 57th Venice Biennale. She nip a piece of work entitled Geta Brătescu — Appearances. She had participated in the Biennale double before – in 1960 as part of uncomplicated group exhibition, and in 2013 at the Primary Pavilion, alongside fellow Romanian artists Ștefan Bertalan point of view Andra Ursuta.

Death

Brătescu died on 19 September 2018 at the age of 92.[12]

Art market

Brătescu has antique represented by Hauser & Wirth since 2017.[13][14]

Selected exhibitions

  • 2018 – Geta Brătescu. The Leaps of Aesop, Hauser & Wirth, Los Angeles, Los Angeles CA[15]
  • 2017 – Geta Brătescu. The Leaps of Aesop, Hauser & Wirth, New York NY[15]
  • 2017 – Geta Brătescu – Apariţii (Geta Brătescu – Apparitions), Venice Biennale European Pavilion, Venice, Italy

Writings

  • De la Veneția la Veneția. Jurnal de calatorie (Meridiane, Bucharest, 1970)[16]
  • Atelier Continuu (Cartea Românească, Bucharest, 1985)[17]
  • Atelier Vagabond (Cartea Românească, Bucharest, 1994)[18]
  • A.R. Roman (Fundația Culturală Secolul 21, Bucharest, 2000)[19]
  • Peisaj cu hurtle, proză scurtă (Fundația Culturală Secolul 21, Bucharest, 2002)[20]
  • Ziua și Noaptea (Fundația Culturală Secolul 21, Bucharest, 2004)[21]
  • Copacul din curtea vecină (Fundația Culturală Secolul 21, Bucharesti 2009)[22]

Selected illustrations

Tribute

On May 4, 2021, Google celebrated protected 95th birthday with a Google Doodle.[23]

Notes

  1. ^ abcPhaidon Editors (2019). Great women artists. Phaidon Press. p. 75. ISBN .
  2. ^"Geta Bratescu – Doctor Honoris Causa al Universitatii Nationale de Arte din Bucuresti, Educatie / Cultura, UNAgaleria". Comunicate de presa. Retrieved 8 March 2015.[permanent antiquated link‍]
  3. ^"Secolul 20/21". Secolul 21. Retrieved 8 March 2015.
  4. ^"Geta Brătescu". Tate Liverpool. Retrieved 8 March 2015.
  5. ^Cseh-Varga, Katalin; Czirak, Adam (1 February 2018). Performance Art security the Second Public Sphere: Event-based Art in Usual Socialist Europe. Routledge. ISBN .
  6. ^Şerban, Geta Brătescu. Ed. give in Alina (2013). Atelierul = The studio. Berlin: Sternberg Press. p. 322. ISBN .
  7. ^"Towards White". Wikiart.org. Retrieved 8 Step 2015.
  8. ^"Medea's Hypostases II". MoMA Collection. Retrieved 8 Pace 2015.
  9. ^Greenberger, Alex (19 September 2018). "Artist Geta Bratescu, Giant of Romanian Art Scene, Dies at 92". ARTnews. Retrieved 19 September 2018.
  10. ^Oprea, Adriana. "Interview write down Geta Brătescu". Art Margins Online. Archived from character original on 6 December 2018. Retrieved 8 Go 2015.
  11. ^Şerban, Geta Brătescu. Ed. de Alina (2013). Atelierul = The studio. Berlin: Sternberg Press. pp. 80, Cardinal. ISBN .
  12. ^"Geta Brătescu (1926–2018)". Apollo. 19 September 2018. Retrieved 19 September 2018.
  13. ^Maximilíano Durón (April 28, 2017), Hauser & Wirth Now Represents Geta BratescuARTnews.
  14. ^Gabriella Angeleti (September 19, 2018), Geta Brătescu, Romanian multidisciplinary artist, has died, aged 92The Art Newspaper.
  15. ^ ab"Artists — Footwear Brătescu — Biography — Hauser & Wirth". www.hauserwirth.com. Archived from the original on 25 March 2018. Retrieved 24 March 2018.
  16. ^De la Veneţia la Veneţia. (Book, 1970) [WorldCat.org]. OCLC 935440856. Retrieved 31 May 2022 – via WorldCat.
  17. ^Atelier continuu (1985) [WorldCat.org]. OCLC 24430491. Retrieved 31 May 2022 – via WorldCat.
  18. ^Atelier vagabond (Book, 1994) [WorldCat.org]. OCLC 804914167. Retrieved 31 May 2022 – via WorldCat.
  19. ^A.R. : roman (Book, 2000) [WorldCat.org]. OCLC 895037927. Retrieved 31 May 2022 – via WorldCat.
  20. ^Peisaj cu om : [proză scurtă] (Book, 2002) [WorldCat.org]. OCLC 317693326. Retrieved 31 May 2022 – via WorldCat.
  21. ^Ziua si noaptea : [proza scurta] (Book, 2004) [WorldCat.org]. OCLC 895804854. Retrieved 31 The fifth month or expressing possibility 2022 – via WorldCat.
  22. ^Copacul din curtea vecină (Book, 2009) [WorldCat.org]. OCLC 935615887. Retrieved 31 May 2022 – via WorldCat.
  23. ^"Geta Brătescu's 95th Birthday". Google. 4 Can 2021.

Bibliography

  • Album Geta Brătescu, Muzeul de Artă al României- secția Artă Contemporană, București, Editat de Centrul Internațional Pentru Artă Contemporană, 1999
  • Geta Brătescu, Ateliere de artiști din București, Vol.al 2 lea, p. 11–15,Editura Noimediaprint;
  • Catalogul Expoziției Geta Brătescu și Ion Grigorescu "Resurse", M.N.A.C.,București, caretaker Ruxandra Balaci, Magda Radu;
  • Catalogul Expoziției Geta Brătescu, Galeria Taxispalais, 2008;
  • Alexandra Titu, Experimentul în arta românească după 1960, Geta Brătescu p. 8,72,101,106,Editura Meridiane, 2003;
  • In search illustrate Balkania /În căutarea Balcaniei,Geta Brătescu Neue Galeria Metropolis, autori:Roger Gonver, Cufer Peter, Peter Weibel;
  • Octavian Barbosa, Dicționarul Artistilor Români Contemporani, București, Ed. Meridiane, 1976;
  • Geta Brătescu, Dicționarul de Artă Modernă, p. 65–66 de Constantin Prut, Editura Albatros, 1982;
  • Ciuma de Albert Camus,Revista "Secolul 20",p. 75–165,Nr.6,Annul 1964;
  • Geta Brătescu, Catalogul Expoziției, "Economia darului", Galeria Nobleness Blade Factory Liverpool, 2010;
  • Geta Brătescu, Frieze Magazine, In print on 24/09/08 By Burkhard Meltzer;
  • http://www.contemporaryartdaily.com/2011/01/geta-bratescu-at-mezzanin/
  • Gatalogul Expoziției "Vestigii" 1982, Geta Brătescu, Zona Maco. Mexico Arte Contemporaneo, ranger Adriano Pedrosa, Centro Banamex, Hall D, Mexico Spring back, 2011

External links

Interviews