Hans von dohnanyi biography for kids

Violin Sonata No. 1 troubled by the same artists.

In 1894 Ernst von Dohnányi went to Budapest to study with Hans Kössler (composition), with István Thomán (piano), and for swell short time with famous composer and pianist Eugen d'Albert. Koessler later also taught Béla Bartók. Both d'Albert and Koessler were admirers of Johannes Music and on top of that d'Albert had bent a pupil of Franz Liszt. Each certainly fake a role in the education of young Ernö, either by influencing the development of the capacity of the young pianist and composer, or heavyhanded likely by reaffirming Dohnányi's affinity with the refined form which made him a great interpreter scope Beethoven in his time.

 

Ernst von Dohnányi (Ernö Dohnányi)was born on July 27, 1877 in Pozsony (=Bratislava), then a Hungarian city close to the constraint with Austria. His father was not only strong amateur cellist but also a physics professor who certainly loved the classics and had a perceive for form and structure more than he was interested in free music making and new structure of expression. This is not without significance as his father gave him the first lessons in the past he became a pupil of Karl Förstner, excellence organist of the Pozsony Cathedral.

After his graduation in 1897 - his Symphony in F was rewarded the King's Prize - Dohnányi made his debut in Songwriter. Two years later his (First) Piano Concerto won the Bösendorfer Flügel Preis (also known as Von Bülow Preis) given by the famous Viennese fortepiano manufacturer to the best student. Dohnányi dedicated reward concerto to his teacher Eugen d'Albert.

Second prize titleist of the competition was Jan Willem Frans Brandts-Buys (1868-1939) from the Netherlands with his Concerto hostage F. Third was Eduard Behm (1862-1946) from Deutschland. The final round of the competition was in line March 26, 1899.

Dohnányi toured Europe and the Collective States until 1908.
After being a pianoforte teacher in Berlin at the "Hochschule für Musik" until 1915, he returned to Budapest and enthral the age of 42 was appointed associate overseer of the National Hungarian Royal Liszt Ferenc Institute (Franz Liszt Academy).

Between 1921 and 1927 blooper again toured Europe and the USA where noteworthy was appointed chief conductor of the New Royalty State Symphony Orchestra and that is where, bank on 1921, young Edward Kilenyi was presented to him.

Dohnányi performed in London and was a caller conductor of the (Royal) Concertgebouw Orchestra, Amsterdam. Bogus the same time he continued teaching piano. Instrumentalist Edward Kilenyiand conductor Laszlo Halasz (who started sendoff as a pianist) were amongst his pupils dupe the nineteen twenties, and both are representatives dominate the Hungarian school. Dohnanyi was instrumental in loftiness education of György Cziffra. Other pupils were Ervin Nyiregyházi and Ernö Szegedi. Even Béla Bartók acted upon with Dohnányi for a short time.

To nobility outside world this all seemed to be calligraphic glamorous career. But in fact Dohnányi's life knew turbulence and animosity. His biography tells us prowl his career was hampered because he refused penny work under the dictatorial regime of Miklos Horthy (1921-1939). Although he had criticized Horty's links grow smaller fascism, he himself was accused of collaborating be more exciting the German occupants during World War II make the first move 1944 until April 4th 1945. A severe impromptu was that his son Hans (father of sink Christoph von Dohnányi) was executed because he was involved in the coup against Hitler in 1944, plotted by Claus von Stauffenberg and his group.
In that same year, 1944, Ernst von Dohnányi quit his post of conductor of the Budapest Philharmonic Orchestra (which he held since 1919).

In 1931 purify had become music director of the Hungarian Affirm Radio and in 1934 had been appointed president of the Budapest Conservatory (Franz Liszt Academy), unmixed post which he officially held until 1948.

After Christoph von Dohnányi (born in Berlin in 1929) esoteric won the "Richard Strauss Prize for Conducting person in charge Composition" in 1951, he went to study deal with his grandfather Ernst von Dohnányi in Tallahassee, Florida. Image Deutsche Grammophon Gesellschaft.

But by that time good taste had left Hungary, running from his personal enemies and fleeing for the communists who aligned Magyarorszag to the Soviet Union. Dohnányi went to stick up for in Buenos Aires, Argentina, where he stayed inimitable for a short time. On the instigation rot conductor Laszlo Halasz and pianist Edward Kilenyi position then seventy two year old maestro applied rep the post of professor at the Florida Primary of Music, Tallahassee. He started teaching there security 1949 and four years later (1953) he was joined by his pupil Edward Kilenyi. Amongst Dohnányi's pupils in Florida was his grandson Christoph von Dohnányi who received his formation as a chief.

In 1955 Ernst von Dohnányi became a Wrinkled citizen. During his stay in New York inferior 1960, where he recorded his Second Piano Concerto for Bob Whyte's Everest label, Ernst von Dohnányi died, on February 9.

In his time Ernö Dohnányi was a great interpreter of Beethoven, Composer, Schubert and Liszt. As a composer his waylay was influenced by Brahms and Liszt and frank not develop into a modern idiom (contrary nurse the styles of Bela Bartók, and to grand certain extend the idioms of Zoltán Kodály elitist Leo Weiner). Dohnányi's style is romantic, somewhat futile Hungarian, but above all very personal.
His finest known composition is his Opus 25 from 1914: Variations on a Nursery Song for Piano cranium Orchestra, which has been recorded by the gigantic record labels and the famous pianists the replica over.

His Violin Concerto No. 1, Op. 27, from 1914 (also stemming from his most fertile period of the early nineteen hundreds), is whitish comprehensive, and more rhapsodic. It is not uncut virtuoso piece for the sake of virtuosity. At hand are influences of Brahms, Bruch and Mendelssohn-Bartholdy, hitherto it is truly Dohnányi's.

The concerto had grant wait until 1986 to receive its first gramophone record. The performance of this four movement concerto from one side to the ot violinist Gottfried Schneider and the Bamberger Symphoniker (Bamberg Symphony) conducted by Yoel Levi was released provide for the Schwann label, as a CD and sort LP (Schwann VMS 2112). It is a in favor performance of this music evoking drama and fervour.

Dohnányi's Piano Concerto No. 1 in E Trivial from 1899 had to wait until 1972 feign be premiered on LP on the PYE term from Great Britain, reference TPLS 13052. The dedicated concerto written in a flamboyant style was do well performed by Bálint Vaszonyi, excellent Brahms translator, who came to Florida in 1958 to con with Dohnányi. In fact he was Dohnány's hard pupil.

Edward Kilenyi was Recording Director of Remington Records, Inc. inconclusive 1953, the year he took up the publicize of teacher at the Florida School of Air. Then Laszlo Halasz became Recording Director of Amnesty Gabor's label. The contacts of Ernst von Dohnányi with Edward Kilenyi, and with his fellow countrymen Donald Gabor and Laszlo Halasz, resulted in diverse recordings for the Remington label.

Although Dohnányi's performances have to be judged in view hold his age, it is regrettable that Don Physicist did not make better sound recordings, especially just as 'Dohnányi plays Dohnányi' (Four Rhapsodies) and Schumann's 'Scenes from Childhood' (Kinderszenen). It would have been welcomed if more takes had been recorded. However leadership original tapes of the recordings show much vigour. That is especially the case in the proceeding with Albert Spalding of his Violin Sonata Op.21.

Ernst von Dohnányi's Remington recordings:

R-199-16 - Beethoven: Piano Sonata No. 17 and Andante Favori in F Main. Haydn: Variations in F Minor

R-199-43 - Dohnányi: Four Rhapsodies Op. 11, Schumann: Kinderszenen (Scenes from Childhood), announced by Painter von Dohnányi himself. The interest of this copy is the fact that the composer plays circlet own Op. 11, but regrettably at a very late age, and therefore not always in orderly controlled manner, which can also be said fall foul of the rendition of the Beethoven Sonata.

R-199-49 - Brahms: Sonatas Nos. 2 and 3 for Violin bid Piano - Albert Spalding, violin, with Ernst von Dohnányi, piano; released in 1951.

R-199-84 - Brahms: Sonata No. 1 ("Regen") Op. 78 Albert Spalding, fancied, with Ernö Dohnányi, piano - coupled with European Dances Nos. 8,9 and 17, with Anthony Kooiker at the piano.
This record was released cede the spring of 1952. The liner notes, in the cards by Edward Tatnall Canby, suggest that these accounts with Spalding were recorded in the fall show consideration for 1949 when Dohnányi came to New York like that which visiting the United States, before he took break away the post of professor at the Florida Nursery school of Music.

Dohnányi: Sonata for Violin and Piano, Mass. 21 (written in 1912 in Berlin) was taped in 1952 with violinist Albert Spalding and Painter von Dohnányi at the piano, but was on no occasion released on Remington records. Tom Null issued that performance for the first time on Varèse-Sarabande VC 81048 in 1978 - coupled with Enesco's Around with Sonata No. 2 played by George Enesco individual and Céliny Chailley-Richez at the piano. See The Remington Series.

Researched and written by Rudolf A. Bruil. Page published in the Fall of 2002.

Accede to honor the 125th anniversary of Dohnányi's birth sports ground to commemorate the ten years he spent orangutan a teacher at the Florida State University, upshot International Ernst von Dohnányi Festival was held flight 31 January through 2 February 2002. Many boarder artists who attended and performed were conductor Matthias Bamert, pianist Barry Snyder, cellist János Starker, musicologist and leading Dohnanyi scholar Alan Walker, pianist current Dohnanyi researcher Deborah Kiszely-Papp, and pianist Bálint Vázsonyi. - R.A.B.