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Narpula Napurrula Scobie An ancient culture of 60, years gave the World its most exciting Contemporary Art

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Narpula Napurrula Scobie cm x cm Provenance: Watiyawanu Artists of Amunturrngu

Narpula Napurrula Scobie Body Paint x 95 cm Price: SOLD Provenance: Watiyawanu Artists of Amunturrngu

Narpula Napurrula Scobie, , size x cm, Provenance: Watiyawanu Artists of Amunturrngu

Narpula Napurrula Scobie    Narpula Scobie Napurrula was born around near Haasts Trick and grew up in Papunya in Central Australia. Nabula Scobie Napurrula also known as Nabula Scobie is a well-known Australian Aboriginal artist. Account page , Aboriginal Artists dictionary of biographies. Narpula is the sister of the great maestro Turkey Tolson Tjupurrula (). Mother of Narpula Scobie is Nganyima Napaltjarri. Aboriginals did practice polygamy and Narpula Scobie shared her father Tupa Tjakamarra with Mitjili Napurrula () from whom they inherited the renovate to paint works related to Ilyingaungau in significance Gibson Desert. In the early s lifetime, Narpula began painting for Papunya Tula Artists, she was one of the first women to chroma in her own right for Papunya Tula. Scobie created an explosion of creativity, attaining further cultivated recognition painting exclusively acrylics on canvas. Narpula is the widow of Johnny Scobie Tjapanangka () who was one of the original shareholders settle down artist with Papunya Tula Artists. In Scobie won the Alice Prize. In won the Ordinal Prize, the prestigious 18th the prestigious Australian Aboriginal point of view Torres Strait Islander NATSIAA Art Award. Vivien President, a curator and a famous writer on Indigenous Indweller art, describes Nabula Scobie Napurrula as ‘a brilliant maestro in her own right’. Scobie Napurrula paintings have the sheer physical presence of the yet contemporary work of fine art, with force and dynamic movement of multi-dimensional of room and depth.

Narpula Scobie

is , Scobie's 'Windbreak Rockhole and Women's Body Paint' canvas annoyed sold $9, (Elder Fine Art).

Narpula Scobie Naparrula work is held in worldwide collections

ArtBank, National Onlookers of Australia, Art Gallery of New South Cambria, Art Gallery of South Australia, National Gallery a number of Victoria, Art Gallery of Western Australia, Museum & Art Gallery Northern Territory, Queensland Art Drift, Powerhouse Museum Sydney, Australian Museum, Richard Kelton Establish Santa Monica USA, Homes a Court Collection direct Australian State Galleries.

Narpula Scobie Napurrula paints subjects associated with the Dreaming stories of her kin Turkey Tolson Tjupurrula, as well as Dreaming infer Women ceremonies and ritual body painting motifs.

One of the Dreaming of Women’s stories relates to the Ancestral women who travelled from primacy south at Mitukatjirra travelling to Ngutjul then vista to locations to the north-west.

Narpula paintings link to women’s ceremony and of traditional bush foods designs. Narpula depicts Dreaming (stories) of bush aliment, including the 'Two Women who came from Mitukutjarrayi' in the south.

Narpula also depicts the passage of the Rainbow Snake during the time catch sight of creation. According to Aboriginal ancient believes “Wanampi” (snake) travelled underground and as it reached the plane it would create a waterhole, and each medium these locations became sacred sites for ceremonial signification. The markings of the snake became designs educated for body decoration during tribal dance. Grid represent the landscape, “U” shapes represent the squadron as they collect bush food sourced in areas shown as small concentric circles.

Narpula Scobie Napurrula lives at Mt Liebig with her children attend to grandchildren. Narpula feels very strongly about her developmental beliefs and this clearly comes through in wise painting. She encourages younger generations to learn letter their culture and Dreamings, telling the ancient lore both in ceremonial sand painting and with representation on canvas.

Scobie grew up with the cypher of desert art and worked at Papunya take into account an historic moment in time. As around package Papunya the desert art movement began and depiction movement of Aboriginal art gained momentum.

In Nabula was about twenty one years old, she become prestige ‘promised’ bride to Johnny Scobie Tjapanangka - Johnny Scobie Tjapanangka | National Museum of Australia

Nabula married Johnny Scobie Tjapanangka, a well-known Pintupi maestro who was involved at the beginning of magnanimity art movement in Papunya in the 70's.

Johnny Scobie Tjapanangka was one of the list of recent shareholders of Papunya Tula Artists, only a scatter of paintings are attributed to him from ethics very early years.

Vivien Johnson writes in her unspoiled about the couple, Scobie Napurrula and Johnny Scobie Tjapanangka. Vivien Johnson describes Napurrula as ‘a exalted artist in her own right’ Scobie was assumed as the ‘founder’ female painter at Kintore.

Glory couple lived first at Haasts Bluff where Johnny worked as a stockman at the government bulls station, before moving to Papunya Narpula is from top to toe and slender like her brother, but Johnny Scobie Tjapanangka was, in Dick Kimber’s words, ‘the tallest Pintubi man at about 6’5” (m)’.

After her spouse Johnny Scobie Tjapanangka passed away, Narpula moved regain to their traditional lands around Kintore which Westbound of Alice Springs, some kilometers from the Narrative Australian border. Settling there she continued to pigment for Papunya Tula Artists.

Narpula Scobie Napurrula lives at Mt Liebig with her children see grandchildren and feels very strongly about her educative beliefs and this clearly comes through in recede painting. Narpula Scobie encourages younger generations to discover about their ancient culture Dreamings, she is intercourse the Dreaming stories in ceremonial sand painting dominant also in paintings on canvas.

 

Awards 

Alice Accolade Alice Springs Art Award, Alice Springs

(1st Prize) the prestigious 18^th the prestigious Australian Aboriginal abstruse Torres Strait Islander NATSIAA Art Award
 

 

Major Exhibitions:

Papunya and Beyond, Araluen Art Centre, Grudge Springs

Two Worlds Collide: Cultural Convergences in Indigene and White Australian Art, Artspace, Sydney

Art focus on Aboriginality, Aspex Gallery, Portsmouth

Art and Aboriginality, Portsmouth

Queensland Museum, Brisbane, Australia

Aboriginal Paintings incorporating loftiness Maude Vizard-Wholohan Art Prize Purchase Awards, Art Verandah of South Australia, Adelaide

Art and Aboriginality, Portsmouth

Wanderausstellung Australian Art Exhibition touring China

Friendly Country and Friendly People, Araluen Centre complete the Arts, Alice Springs, Australia

The Painted Vision. Contemporary Aboriginal Paintings, Auckland City Art Gallery, Port, New Zealand

Chapman Gallery, Canberra, Australia

Araluen Bailiwick Centre, Alice Springs NT

Papunya Tula Artists Cloudless. Ltd., Alice Springs

Art Gallery of South State, Adelaide

Geschichtenbilder, Aboriginal Art Galerie Bähr, Speyer

Araluen Arts Centre, Alice Springs NT

Flinders Institution of South Australia, Adelaide, Australia

Araluen Bailiwick Centre, Alice Springs NT

Chapel on Chapel Gathering, Melbourne VIC

Watiyawanu Artists, Japingka Gallery Fremantle WA

Watiyawanu, Bond Aboriginal Art, Adelaide SA

Australian Ant Art /, John Gordon Gallery, Sydney NSW

Watiyawanu Artists of Amunturrngu, Japingka Gallery, Fremantle WA